This post contains spoilers for the A Court of Thorns and Roses trilogy, Avatar: The Last Airbender, and the original The Hunger Games trilogy
When Avatar: The Last Airbender’s Prince Zuko angsted, brooded, fought, self-destructed, learned and grew his way from the obsessive pursuit of Avatar Aang to a spot right in the heart of the ‘Gaang’ willing to risk his life for his new friends, he cemented his spot as the prodigal son of redeemed villains ever since then. Fans of characters from Sharpay Evans to Kylo Ren, from Jenny Humphrey to Draco Malfoy, of any character on the spectrum from “considered annoying by the general audience” to “has murdered several people but looked really good while doing it” have compared their faves to the seminal bad-guy-turned-good, and it’s easy to see why. The redemption arc and the sympathetic antagonist are narrative tropes that have been popular as long as literature has been around. Gilgamesh and Enkidu’s journey from enemies to friends (??) / blood-brothers (??) / lovers (??) would give most modern angsty fanfiction writers a run for their money. Milton’s Satan, with his radical spirit and unholy charisma, is the baddest of bad-boys, and the spate of Byronic heroes that populate literature from Lord Ruthven to Claude Frollo to Heathcliff have had wildly passionate fan bases since long before the internet was around to facilitate general fandom culture.
Continue reading “‘The Ballad of Songbirds & Snakes’, Redemption Arcs, and Villains”